Over the years, I tried occasional attempts to recuperate my learning in how to move, by visiting my friend's dance class, by taking a summer dance workshop and by committing an embarrassing dance audition here or there. It always occurred to me in those moments, that my body never really listened to what I wanted it to do, and I never understood how to mimic other people's movements properly. Failing to do right gestures in any event where I should have, I was always tense and confused, and in time, I became resentful.
In the end, I decided to hit the source of my problems, the reason why I was a klutz and so ungraceful: my mother drawing me out of my ballet class.
I confronted her about it one day, when I was still an awkward teenager. I never really braced myself for what her answer was. "Jiuling, ni tiao de shi hou zong si beng hu hu de. Wo si zai kan bu liao le" which in English, sums to "Anne, you danced silly, and I couldn't stand it anymore". (In this instance the translation of 'silly' means along the lines of 'you danced like a clumsy animal/circus bear')
How can I describe the crushing reality when one realizes that she can not dance? That she moves strangely? That she can never be that talented person in center stage or in a Bollywood film? It took time for me to accept that harsh reality. I thought I had overcome it only to arrive in Chile, a place far away from my mother and all the reminders of my real dancing ability, a land where I thought I could reemerge as a decent dancer.
Reality though, came in quick.
The first wave came with the salsatecas. Although the one class I went to was for beginners, I seriously could not get even the most basic step correct. "Uno. Dos. Tres. Cinco seis siete" was the continual chime of the svelte male dance instructor. Easy peasy! Yet I somehow managed to mix up that pattern with "Uno. Dos. Tres. Cuatro. Cinco. Sies."
I made up excuses: so I wasn't a salsa dancer...I could still do the bump and grind, and if all else fails, the trusty rock/shake.
Then, the second punch: the reggaton in the clubs. I found myself asking: How the heck do you dance to reggaton? And how do you deal with a dance partner who turns around in a circle during part of the dance? Do you spin around too? Is it like hokey pokey? Furiously shaking through a night of reggaton, I decided to add reggaton clubs onto my list of places where I could embarrass myself. Amazingly, I was still under the delusion that I could be a fine dancer. I justified my mishaps by saying that I never learnt how to dance salsa or react to guys who dance reggaeton.
Little did I know the final blow was yet to come...
A little background: for the bicentennial, I attended a CIEE Cueca workshop. Cueca is the national dance of Chile. It involves two people (a huaso and a china) dancing around each other. The best thing about the dance is that it is essentially non-contact and involves mostly mirroring the correct movements and making flirty actions with a panuelo (handkerchief). I did alright in the workshop.
Thus, to me simple Cueca seemed easy enough that when I saw a few little girls dancing to it in a Mapuche school in Temuco, I joined right in.
I did well at first. I guided the little 4 year old in a line back and forth. Then, I clapped. Then, I started moving when the music started only to realize that I didn't remember the rest of the steps. Attempting to cover by mimicking the preschooler, I thought I was doing pretty well until my dance partner mentioned to one of her classmates "Esta tia no baila muy bien".
The pain I felt! The fact sunk into me like a cold wind: No matter what country I am in, I am not still a good dancer.
Thankfully that sad realization didn't stop me from having fun with the 4 year olds. Aren't they cute?
My dance partner and I